Upstairs we have a thriving artist in residency program. Four 2-bedroom apartments
filled with artists who create their own work, including interactive art, music,
zine production, sound art, neuroscience art, video art, circuit building and more.
Silent Bar AIRS host creative projects in their living rooms, and are core participants
in the Silent Barn collective. Here are some of the past and present artists in residence.
Emma Reaves is a Brooklyn based artist/performer. She is an ensemble member and co-artistic director for THE NY NEO-FUTURISTS, writing/directing/performing in their critically acclaimed on-going weekly show TOO MUCH LIGHT MAKES THE BABY GO BLIND. Emma is also an ensemble member of Psychic Readings, creating performances alongside fellow maniacs Ric Royer and G Lucas Crane.
Sometimes talking to Jono Milo can be a little dizzying: He drifts between IRL and Internet existence seamlessly and seems to know everybody in the world of Net art and ambient experimental music. It can be hard to keep up if your understanding of it all is rudimentary (or worse), and if Jono were made to stop and explain the backstory of every underground tape label–Orange Milk, I Had An Accident, 1080p–and every piece of animation or audio software that he references, well, that could take hours. It’s hard to blame him, though, for going full throttle on the esoterica, because as a Net artist, founder of a new tape label (Afternoons Modeling), musician (Daytime Television), and tireless collaborator, well, this is kind of his thing—and he’s really good at it.
Read more on BK MAG http://www.bkmag.com/2015/01/13/jono-milos-expansive-digital-universe/
Julie Mallis has exhibited her paintings, installations and video art nationally in Philadelphia, Pittsburgh, New York City and the San Francisco Bay Area. Her work investigates perception, imaginary worlds and the relationship between music and art. She is a graduate of Carnegie Mellon University where she received her degree in Electronic Time Based Media and Anthropology. Mallis completed a Flight School Fellowship in 2014 through the Pittsburgh Center for the Arts / Pittsburgh Filmmakers. She is the co-founder of BOOM Concepts Art Space in Pittsburgh and is a 2014-2015 artist-in-residence at The Silent Barn.
Silent Barn Artist in Residence 2014
liz pelly is a writer and editor. she currently edits an online ad-free alt-weekly-inspired newspaper, "the media" (fvckthemedia.com) and freelances for music magazines. when she is not editing copy and folding zines, she also books shows at the barn and helps organize the newly-formed safer spaces working group. since moving into the barn she has been inspired to start playing drums which has been fun. before living at the silent barn liz lived in massachusetts for 6 years where she booked house shows and worked at a newspaper.
Megan got involved at Silent Barn after running a similar space at their alma mater SUNY Purchase known as the Stood. Since moving to Brooklyn and beginning at the Silent Barn they have been making zines, one of which was published by Mt. Home Arts, booking shows, helping with PR, and joining the safer spaces committee. During their residency their intention for their apartment, known by many as Hawkitori, is to organize public zine workshops and hold weekly hours for Silent Barn's extensive zine library.
Nat Roe is a co-founder of the new Silent Barn location, was a resident of our prior space, and currently lives in 3L. Nat regularly hosts concerts, in addition to working on Silent Barn's volunteer infrastructure as "Chef of Chefs".
As a sound collagist, Nat has DJed at WFMU for many years, in addition to several publications. Nat's sound collage finds a middle ground between the turntablism of DJ Screw, DJ Clue and Dancehall radio norms and with the cut-up appropriation and electroacoustic mess of Christian Marclay or Ake Hodell. Listen at www.wfmu.org/playlists/nr.
Hi! i'm Noah. I spew ideology and clean up nicely. Some of my projects include fmly fest, the ny + la art book fair, friends first fest, and cuddle formation. Sometimes I make jokes on the silent barn twitter. I live above the barn in 603 upstairs so come over, bring tea, and let's be friends
Tali lives on the 3rd floor of the Barn in the practice space also known as 603 upstairs. She helps out with the residency program and with Safer Spaces and is the queen of resetting the boilers that live in the basement. If you need her you can find her working behind the bar or deep in a music-making, cat-petting, astrology hole. Tali holds open astrology office hours 24/7 basically, so please contact tali dot stern at gmail dot com to make an appointment.
Andrew McFarland is a photographer, producer, and facilitator who currently resides at the Silent Barn. Over the past three years he has criss-crossed the United States producing Folk to Folk, a documentary project exploring how the inclusive spirit of folk music inspires participatory communities, and, more recently, the Story Store, an interactive story-telling exchange.
As the Photo Chef and an Outreach Sous Chef he uses visual media and events to engage the public with the Silent Barn’s collective and creative environment. Andrew can be found running shows and overseeing the Hawkitori IRL Salon for Conversations of Greater Gravity and Sanity Preservation at the Silent Barn. During the day he works as a global producer at Slideluck.
G Lucas Crane has been creating tape collage music for over a decade, publishing under the solo moniker Nonhorse, and collaborating in groups such as Woods, Ogg Myst, and Wooden Wand and the Vanishing Voice. The stairwell leading to the second floor residences is covered in the hand-decorated cassettes used for audio collages, and from Crane's personal collection.
Lani Combier-Kapel drums and sings in the brooklyn bands ADVAETA and Warcries. At Silent Barn, she manages the booking calendar and co-runs a band t-shirt consignment shop called Merch & Destroy. She and Mike Sheffield also run Gingercore Booking.
Melissa is an interdisciplinary artist whose work employs data and generative self-programmed compositional environments. Clarke recently was an artist in residence at the Simon’s Center for Art and Geometry at SUNY Stony Brook, and has performed and exhibited her multimedia work at spaces such as, Center for New Music, CA (2014), Interactive Art Fair, FL (2013), Eastern Bloc, CAN (2013), Reverse Art Space, NY (2012, 2014), 319 Scholes, NY (2011), Eyebeam, NY (2012), Issue Project Room, NY (2009), Simons Center for Geometry and Physics, NY (2013), Electronic Music Foundation, NY (2008), with the Queens Museum, NY (2009), International Biennial of Contemporary Art, ULA-2010, Venezuela (2010). She is a graduate of NYU’s ITP program with a 2 year Tisch Fellowship.
Melissa often works across mediums as a way to look at hybridizations of wilderness and technological spaces—towards considerations of nature at the center of human experience, myth, science, and information collection. She works at the intersections of research, data, science, and art. Clarke’s interested in open source tools, online spaces, and citizen science with a background in interaction and electronic visual and audio art. She creates custom hardware and software systems for her projects. In 2012 Clarke went on an Arctic expedition, where she traveled up the west coast of Greenland for a month conducting research and collecting data for her work. Her recent multi-media installation Sila is based on this expedition. Much has been written about this expedition and other aspects of her work have been featured by publications and blogs such as: L Magazine, Creators Project, Village Voice, Impose, Animal NYC, Bloun Art Info, Kickstarter, Art 21, Core 77, and Columbia University’s State of the Planet.
With her recent installation projects, Untitled Antartica and Sila, Clarke endeavors to reconnect seismic data collected from beneath Antarctic glaciers with its organic source. Using sound, video projection, wood, and glass sculpture, she creates immersive neolandscapes giving physical form to the information collected about the giant landmass and the terrain beneath the seas surrounding it.
Mike Sheffield is an Artist in Residence at the Silent Barn as well as an active member of both the Shows and Public Art working groups. Mike is an active Brooklyn-based concert promoter and musician who has played and released music with several rock and experimental acts as well as creating sound installation work. Mike's main musical tools consist of prepared guitar, cassette tapes, modular synthesizer and drum machine.
Mike is a writer by trade and has worked for several different publications including SPIN Magazine, The Village Voice, Impose Magazine, Dusted Magazine, and Barnes & Noble.com.
Since April of 2013, Mike has been working on a curatorial project entitled She Was Freaks. The name was taken from a biography of photographer Diane Arbus wherein the author William Todd Schultz refers to Arbus’s obsession with photographing eccentrics and how she would lose herself in her subjects, giving over to them completely rather than just winning their trust for her own personal gain; “She was freaks.”
These nights are supposed to represent a push away from the typical art show, and to encourage artists to take risks, to collaborate across genres and mediums, to get uncomfortable, to work less with expectation, pursuing personal experiments and creating from the inside outwards.
Thus far, Mike has had four She Was Freaks shows at four different gallery spaces in Brooklyn, New York with the fifth slated for this August at the Silent Barn. These shows have included a photography exhibit, an interactive sculpture and performance art installation, a musique concrete collage, and a video art screening, all focusing on themes of alienation, escapism, modern sexuality and the grotesque.